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RAY MEAD "UNTITLED ABSTRACT" ACRYLIC, 1988 collect riopelle print layering the images on top layering the images on top of each other Miró’s passionate rejection of traditional painting led him to reference and experiment with multiple styles including Cubism during Mead's last decade of life he experienced somewhat of a creative renaissance creating a body of work that is arguably more iconic In the early 1950's Mead made several trips to New York City being influenced by the nascent dominance of Abstract Expressionism
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RAY MEAD "UNTITLED ABSTRACT" ACRYLIC, 1988 collect riopelle print layering the images on top

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